Cy Twombly at Guggenheim Museum Bilbao on artrepublic.com

A selection of nearly 100 works, including paintings, sculptures and drawings, will occupy the second floor and one gallery on the first floor, with particular emphasis on the most important thematic series created by the artist over the course of his career. Saving a few exceptions, the works are arranged in chronological order.

Cy Twombly begins in galleries 205 and 206 on the second floor, which holds works from the artist's early years that were produced in the 1950s and 60s, such as Tiznit (1953) or Quarzazat (1953), made after his trip to Morocco with Robert Rauschenberg, as well as de Free Wheeler (1955), Academy (1955), Arcadia (1958), Herodiade (1960), Empire of Flora (1961) or School of Athens (1961), among others. For the first time in many years - in some cases decades - visitors to these halls will be able to view works like Sunset (1957), Untitled (1962), exhibited in public for the first time ever, and Venus Anadiomene (1962), all from private European and American collections.The exhibit continues in gallery 207 with six of the fourteen canvases he created in 1969 after the Apollo 11 moon landing that make up the important series Bolsena (1969), together with two of Nini's Paintings, of which he painted five in 1971. Another gem on display in this gallery is Cold Stream (1966), one of his first "gray" canvases on which he made inscriptions with white wax pencils on a dark gray background.

Gallery 209 showcases the two versions of Treatise on the Veil , the first from 1968 measuring seven and a half metres long, and the second from 1970 measuring nearly ten metres. This hall also holds the Veil of Orpheus (1968), which is being shown for the first time in years, and the sculpture Orpheus (Du Unendliche Spur) [Orpheus (You, Boundless Trace) ], 1979.Gallery 208 holds the first series conceived as such by Cy Twombly, Ferragosto (1961), consisting of five canvases that are owned by different collections but have been reunited especially for this occasion. This series predates the work recently acquired by the Guggenheim Museum Bilbao, Nine Discourses on Commodus. In this gallery visitors will also be able to contemplate the second series of Quattro Stagioni (Four Seasons ) (1993-94), a set of four canvases that are part of the Tate Modern collection in London. The small gallery 204 is primarily dedicated to the artist's drawings, and will also feature paintings such as Suma (1982) and works on paper like Anabasis (1983), Proem (1983) or HRIH (1982), among others, in an interesting connection between Twombly's spiral strokes and Richard Serra's The Matter of Time sculptures. With regard to Twombly's sculptural activity, which he abandoned for sixteen years (from 1957 to 1976), particular emphasis has been placed on presenting the pieces made of plaster, and the bronze pieces included in the exhibit are painted by the artist himself.This important selection will occupy galleries 103 and 202 as well as other halls in the museum. Specifically, gallery 202 will feature his sculptures alongside pictorial works such as his two Wilder Shores of Love (1985), Hero and Leandro (1984) or his two 1975 collages, Apollo and the Artist (1975) and Mars and the Artist (1975). Nine Discourses on Commodus, a set of nine canvases that must always be displayed as a whole and now, for the first time, can be seen alongside the second version of School of Athens and Catallus (1962), a work rarely shown in public.

OPENING HOURS: Tue - Sun: 10.00 - 20.00

Image Credits:

Hero and Leander (To Christopher Marlowe), 1985. Cy Twombly (1928).

Suma, 1982. Cy Twombly (1982)

Cold Stream, 1966. Cy Twombly (1928)